Imagine a youth spent listening to that VH1-ready anonymous light and breathy pop like Shawn Mullins, Edwin McCain, even The New Radicals. Now heap on some indie sensibility, a splash of Death Cab for Cutie here, some Fire Theft and a touch of John Vanderslice there, a small small dab of the Stone Roses. Mix that stuff together, let it stew for about 20 minutes, and the result might be something like Division Day’s The Mean Way In.
It’s music that all those softish rock stations would play if they were just a little bit more hip. Division Day is certainly accomplished, and “Hello” certainly makes the claim for its talent. The one frustrating aspect of this album is the group’s nagging restraint. Though, the sparse and light feel of this EP comes through so well it almost shimmers; if there was just an ounce more of agression one can’t help but think the entire disc would just seem more powerful. The group gets close to letting loose on the opener “Bad Black Moon,” and consequently it is one of the best songs. The hypnotic swirls of guitar and atmospheric sounds create a warm and rich texture, and this builds up but never really lets go.
The refusal to really shake out some grit might instantly deter most energetic listeners under the age of 21. However, not all of us are energetic teenagers. We can’t handle all the stop/start and stuttering drum beats and bass lines or chaos. And there is where Division Day steps in. The Mean Way In is almost entirely pleasant. For those with energy to burn, you’ll want to get your kicks elsewhere. For those that wish for something lush and tight dig in.
- Dan Williams
July 26, 2004